- p. 105-124 : Eva Legêne, « The early baroque recorder : 'whose lovely, magically sweet, soulful sound can move hearts of stone' »
 - p. 127-144 : Laurence Pottier, « The iconography of the recorder in France in the second half of the seventeenth century »
 - p. 145-156 : Toon Moonen, « Research into the measuring of historical woodwind instruments »
 - p. 159-175 : Ruth van Baak Griffioen, « A field guide to the flowers of the 'Fluyten Lust-hof' : notes on the familiarity of the tunes Van Eyck chose »
 - p. 177-195 : Thiemo Wind, « Jacob van Eyck's 'Der Fluyten Lust-hof' : composition, improvisation, or... ? consequences for performance practice »
 - p. 197-202 : Barthold Kuijken, « Lack of seventeenth-century recorder repertoire : consequences for the practical musician »
 - p. 217-154 : Patricia M. Ranum, « 'Tu-Ru-Tu' and 'Tu-Ru-Tu-Tu' : toward an understanding of Hotteterre's tonguing syllabes »
 - p. 257-274 : David Lasocki, « Gaps in our knowledge of the recorder in the seventeenth century and how they could be filled »

- compte-rendu de Robert Ehrlich dans : Early Music, XXV/2 (may 1997)
 - compte-rendu de Wendy Hancock dans : The Consort, 53 (1997), p. 61-63

CMBV/ 13.6 LAS